Everyman [sound recording] / Philip Roth.
- 18 of 18 copies available at Bibliomation. (Show)
- 1 of 1 copy available at Kent Memorial Library - Suffield.
|Location||Call Number / Copy Notes||Barcode||Shelving Location||Status||Due Date|
|Kent Memorial Library - Suffield||CDA ROTH (Text to phone)||32518129840040||Adult Book on CD||Available||-|
- ISBN: 1419389017
- Physical Description: 4 sound discs (4 hr., 15 min.) : digital ; 4 3/4 in.
- Edition: Unabridged ed.
- Publisher: Prince Frederick, Md. : Recorded Books, p2006.
In container (17 cm.).
|Participant or Performer Note:||
Narrated by George Guidall.
The hero of Everyman is obsessed with mortality. As he reminds himself at one point, "I'm thirty-four! Worry about oblivion when you're seventy-five." But he cannot help himself. He is the ex-husband in three marriages gone wrong. He is the father of two sons who detest him, despite a daughter who adores him. And as his health worsens, he is the envious brother of a much fitter man.
|Additional Physical Form available Note:||
Issued also on cassette.
Search for related items by subject
|Subject:||Middle-aged persons > Fiction.
From Booklist, Copyright (c) American Library Association. Used with permission.
Does Roth's new novel top or even match the stunning accomplishment of his previous one, the best-selling and award-winning The Plot against America0 (2004)? It is shorter in length and narrower in scope. It is the portrait of an ordinary man--he novel's title is apt--who accomplishes nothing extraordinary. Strict chronology is set aside as various episodes from the past and the present jostle for center stage. The motif of death followed this man throughout his life, beginning in boyhood, and with the advent of middle age, the frailty of the flesh, in both sexual and physical terms, is increasingly apparent to him. Despite its shortness in length and relative narrowness in scope, this novel speaks eloquently about life's un0 fulfillments, about making adjustments if the unfolding of one's life doesn't follow the original plan. Roth continues exercising his career-defining, clear-eyed, intelligent vision of how the psychology of families works. In The Plot against America0 , we saw how a family reacts to external forces; here, the reaction is to a family's internal circumstances. Perhaps, then, more readers will find this lean, poig-nant novel more relevant to themselves. --Brad Hooper Copyright 2006 Booklist
Library Journal Review
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
His sons hostile, his marriages all failed, and his body slowing down, Roth's new protagonist finds as he stumbles into middle age that he doesn't much like the man he has become. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
(c) Copyright PWxyz, LLC. All rights reserved
What is it about Philip Roth? He has published 27 books, almost all of which deal with the same topics-Jewishness, Americanness, sex, aging, family-and yet each is simultaneously familiar and new. His latest novel is a slim but dense volume about a sickly boy who grows up obsessed with his and everybody else's health, and eventually dies in his 70s, just as he always said he would. (I'm not giving anything away here; the story begins with the hero's funeral.) It might remind you of the old joke about the hypochondriac who ordered his tombstone to read: "I told you I was sick." And yet, despite its coy title, the book is both universal and very, very specific, and Roth watchers will not be able to stop themselves from comparing the hero to Roth himself. (In most of his books, whether written in the third person or the first, a main character is a tortured Jewish guy from Newark-like Roth.) The unnamed hero here is a thrice-married adman, a father and a philanderer, a 70-something who spends his last days lamenting his lost prowess (physical and sexual), envying his healthy and beloved older brother, and refusing to apologize for his many years of bad behavior, although he palpably regrets them. Surely some wiseacre critic will note that he is Portnoy all grown up, an amalgamation of all the womanizing, sex- and death-obsessed characters Roth has written about (and been?) throughout his career. But to obsess about the parallels between author and character is to miss the point: like all of Roth's works, even the lesser ones, this is an artful yet surprisingly readable treatise on... well, on being human and struggling and aging at the beginning of the new century. It also borrows devices from his previous works-there's a sequence about a gravedigger that's reminiscent of the glove-making passages in American Pastoral, and many observations will remind careful readers of both Patrimony and The Dying Animal-and through it all, there's that Rothian voice: pained, angry, arrogant and deeply, wryly funny. Nothing escapes him, not even his own self-seriousness. "Amateurs look for inspiration; the rest of us just get up and go to work," he has his adman-turned-art-teacher opine about an annoying student. Obviously, Roth himself is a professional. (May 5) (c) Copyright PWxyz, LLC. All rights reserved